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Submissions from 2017

The migrant voice: The politics of writing home between the Sinophone and Anglophone worlds, Kenny K. K. Ng

Submissions from 2015

Toward a spatiotemporal consciousness in media studies: Locational aesthetics and digital filmmaking in China's Special Zones, Jia Tan

新自由主義式的「邂逅」: 《非誠勿擾》與電視真人秀的性別政治 = Neoliberalized romantic encounter: The gender politics of Chinese reality TV, Jia Tan

New takes on film historiography. Republican cinema redux, an introduction, Emilie Yueh-Yu Yeh

Translating Yingxi: Chinese film genealogy and early cinema in Hong Kong, Emilie Yueh-Yu Yeh

Submissions from 2014

British governmental institutions, the regional information office in Singapore and the use of the official film in Malaya and Singapore, 1948–1961, Ian Aitken

Colonial discourse and documentary film at the margins: The case of Delhi grande ville de l’Inde supérieure and Dans l’État du Cachemire, two early Pathé Frères films shot in India, Camille Deprez

Bentu: Marketplace and sentiments of contemporary Taiwan cinema, Yueh Yu Yeh

Home is where Hollywood isn’t: Recasting east Asian film industries, Yueh Yu Yeh

民國時期的跨文化傳播: 文藝與文藝電影 = Cross-cultural communication in the republican period: On Wenyi and Wenyi pictures, Yueh Yu Yeh

Submissions from 2013

Georg Lukács' late aesthetic and film theory: A study of the chapter entitled ‘Film’ in Lukács' The Specificity of the Aesthetic (1963), Ian Aitken

The films division of India, 1948–1964: The early days and the influence of the British documentary film tradition, Camille Deprez

台北空间里的无国界历险, Emilie Yueh Yu Yeh and Sze Wing Kwok

Submissions from 2012

The development of official film-making in Hong Kong, Ian Aitken

Wenyi and the branding of early Chinese film, Emilie Yueh-Yu Yeh

Submissions from 2011

Pour un panorama du cinéma documentaire indien, Camille Anne Deprez

當代香港戲劇藝術的文化政治與美學實踐―兼談幾個本土後現代主義範式 = The Cultural Politics and Aesthetic Practice of Contemporary Hong Kong Drama: Several Local Post-modernist Paradigms, Wai Luk Lo

跨文化分析的缺陷: 以“文艺片”和“情节剧”概念为中心的考察, Emilie Yueh Yu Yeh

Submissions from 2010

Beyond visibility: Independent Chinese queer videos in the era of transnationalism, Jia Tan

一个市场化视角的分析——后回归时期香港电影的产业与内容变化, Emilie Yueh Yu Yeh

身体与声音:华语歌舞片中的四种表演女性, Emilie Yueh Yu Yeh and Hong Feng Tang

Submissions from 2009

Pitfalls of cross-cultural analysis: Chinese wenyi film and melodrama, Emilie Yueh-yu Yeh

Submissions from 2008

Re-nationalizing China's film industry: Case study on the China film group and film marketization, Emilie Yueh Yu Yeh and Darrell William Davis